Arthur Mathews' mural of the nine Greek Muses (Stanford University)This afternoon we were visited by Professor Helen Storey who came to talk to us about a new project idea with the working title of Catalytic Clothing. Helen explained that Catalytic Clothing has the potential to transform human behaviour and imporve attitudes to sustainability through the collaboration of the arts and creative sector and those working in science and technology. The aim of the research strand is the development of a product that, when deposited on an item of clothing, bestows it with the ability to break down harmful air-borne pollutants. The active agent within the product will be a material that when exposed to light is able to catalyse the breakdown of the pollutants. The product will be delivered to the surface of the clothing during the traditional laundry cycle. Currently, despite many advances in smart materials and ‘smart clothes’‚ the human's clothing surface area has not been harnessed either as an energy source in its own right, or in this case used as a potential surface area to catalyse a reaction for good use. The overall aim of the project is to enhance a given fabric in such a way that it can actively remove airborne pollutants whilst the wearer goes about their daily life.
Phil Waywell was on hand to talk us through some of the science involved in the project. He explained that advances in science are often created at the very edges of human imagination and that collaborations between artists and scentists can have remarkable benefits. He explained that the key ingredient in Catalytic Clothing worked like a hybrid between sunscreen and a catalytic converter in a car. He reminded us that, in order for a product like this to be economically viable, commercial organisations needed to be convinced that there was a profit to be made. The team were investigating several ways to evidence the effectiveness of the technology. We watched a short animation designed to illustrate the impact of Catalytic Clothing. We were asked to imagine a busy Oxford Street in which all pedestrians had washed their clothes in this new product. It would only take 40 people per minute walking along a 1 metre wide strip of pavement to strip the air of harmful pollutants.
Several thoughts were shared amongst the group. How do you prove the effectiveness of something that is invisible? How do we make people more aware of the engineering and science that surrounds us every day without resorting to scare stories and extreme scenarios? How do we manage the often instinctively negative reactions to the new?
Helen was keen to consult us about our reaction to the project idea and to see if we would be interested in collaborating with her both on a bid for further research money linked to the Olympics and, if this was successful, on further developing the educational potential of the project.
In Ancient Greece, the Olympics was as much a celebration of the human mind as it was of athletic prowess. The nine Muses were the spirits that inspired human creative endeavour and imagination. In order to make a link between Catalytic Clothing and the Olympics, Helen has proposed that we might wish to think about our own contemporary Muses, personifications of the kinds of actvities, values or ideals that are relevant to modern life. The Muses also represent inspiration and creativity but not just in the arts since there were Muses of History and Astronomy.
So, it would be great if you could respond to these two requests.
1. What did you think of the ideas contained in Catalytic Clothing? The more specific you can be in your responses, the better.
2. What activities, values or ideals would you choose as your contemporary Muses?
Phil Waywell was on hand to talk us through some of the science involved in the project. He explained that advances in science are often created at the very edges of human imagination and that collaborations between artists and scentists can have remarkable benefits. He explained that the key ingredient in Catalytic Clothing worked like a hybrid between sunscreen and a catalytic converter in a car. He reminded us that, in order for a product like this to be economically viable, commercial organisations needed to be convinced that there was a profit to be made. The team were investigating several ways to evidence the effectiveness of the technology. We watched a short animation designed to illustrate the impact of Catalytic Clothing. We were asked to imagine a busy Oxford Street in which all pedestrians had washed their clothes in this new product. It would only take 40 people per minute walking along a 1 metre wide strip of pavement to strip the air of harmful pollutants.
Several thoughts were shared amongst the group. How do you prove the effectiveness of something that is invisible? How do we make people more aware of the engineering and science that surrounds us every day without resorting to scare stories and extreme scenarios? How do we manage the often instinctively negative reactions to the new?
Helen was keen to consult us about our reaction to the project idea and to see if we would be interested in collaborating with her both on a bid for further research money linked to the Olympics and, if this was successful, on further developing the educational potential of the project.
In Ancient Greece, the Olympics was as much a celebration of the human mind as it was of athletic prowess. The nine Muses were the spirits that inspired human creative endeavour and imagination. In order to make a link between Catalytic Clothing and the Olympics, Helen has proposed that we might wish to think about our own contemporary Muses, personifications of the kinds of actvities, values or ideals that are relevant to modern life. The Muses also represent inspiration and creativity but not just in the arts since there were Muses of History and Astronomy.
So, it would be great if you could respond to these two requests.
1. What did you think of the ideas contained in Catalytic Clothing? The more specific you can be in your responses, the better.
2. What activities, values or ideals would you choose as your contemporary Muses?
